A Blonde Silk Gauze Mantelet

This 1762 portrait by Sir Nathanial Dance-Tolland is one of my favorite 18th Century fashion references. I love the puffy blue stomacher bows. I love the enormous pearls worn high on her neck. I love the pet squirrel.  But most of all, I love the lace mantelet that she is wearing over the top of all of it! When I saw a certain piece of embroidered silk gauze on a fabric remnant website, I did a little happy dance. While less heavily textured than the fabric in the portrait, the embroidered silk gauze has such a similar scale and vibe that I reckoned it was MEANT – I could make the blonde silk gauze mantelet from the portrait!

Half-portrait of a woman sitting in 3/4 profile to the frame. She wears a silk gauze mantelet over a blue silk gown with a ruffled stomacher. She holds a pet squirrel in her hand.
Olive Craster by Sir Nathanial Dance-Tolland c.1762 via Minneapolis Institute of Art

Isn’t it just absolutely perfect?

A length of cross-barred silk gauze lies draped across an ironing board

I cut out all the pieces of the mantelet in anticipation of our relocation to North America. I wanted a few easily-portable hand-sewing projects to work on while we traveled and got ourselves established. For this project, I used the Burnley and Trowbridge Mantelet pattern. Construction was pretty simple. I hemmed the mantelet body and the hood, and then I hemmed several meters of trim.

Then I sewed up the back of the hood and cartridge pleated it.

I pleated the neck of the mantelet body. I stitched both body and hood to the neckband and whipped down the facing.


I played with the trim until I had a pleat arrangement I liked, and then i stitched it down.

Close-up of a ruffled hem on a silk gauze mantelet

Everything went smoothly until I got 9/10ths of of the way around applying the trim, and discovered that I hadn’t made enough of it. After using up all my trim, I still had 12 inches of mantlelet left bare. And my silk scraps were all in a shipping container somewhere on the Pacific between Chile and Canada!

That poor mantelet sat in my suitcase as a lonely UFO until we’d completed the move, found somewhere to live, unpacked all our boxes, set up our new home, and I – eventually – found the time to go through my fabric stash and find one specific little plastic baggie of very specific bits of silk.

A gauze mantelet lies draped over the back of a chair. The ruffled hood hangs limply.

And so – Last week I cut one last length of trim, hemmed it, stitched it onto the existing length, and finally covered up the poor bare patch.

It was a pretty good feeling to be done at last!

a blonde silk mantelets sits on a mannequin. Pink ribbons stream down from a bow at the neck.

I stitched on a pair of pink silk ribbon ties, and there it was – my blonde silk gauze mantelet, ready for action.

A front view of a blonde silk gauze mantelet, tied at the neck with a pink silk satin ribbon

(A side note – it won’t actually be worn with the midnight sultana. The sultana just happened to be sitting on the mannequin when i wanted a photograph…)

A 3/4 view of a blonde silk gauze mantelet, tied at the neck with a pink silk satin ribbon

Bibbidy-bobbidy-BOO!

A woman faces the camera. she is wearing a silk gauze mantelet with a ruffle all around. She is holding out the hood with her hands and looks remarkably like the fairy godmother in Cinderella.



 

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